Interview, Excerpt, & #Giveaway: Murder at the Moulin Rouge (The Blackwell & Watson Time-Travel Mysteries #5) by Carol Pouliot
- Archaeolibrarian
- 8 hours ago
- 14 min read
Book Details:
Genre: Traditional Police Procedural with a Time-Travel Twist; Historical Mystery.
Published by: Level Best Books
Publication Date: September 23, 2025
Number of Pages: 325
@WriterCarolPouliot @levelbestbooks @partnersincrimevbt
@carolpouliotmysterywriter @levelbestbooks @partnersincrimevbt
Paris, 1895. When a cancan dancer at the Moulin Rouge falls to her death from the top of one of Montmartre’s highest staircases, the police dismiss it as an accident. But, Madeleine was one of Toulouse-Lautrec’s favorite models, and the artist is certain she was murdered. Enter Depression-era detective Steven Blackwell and 21st-century journalist Olivia Watson who travel back in time to Paris to hunt down the killer. Before long, they learn that a second dancer—a ballerina and favorite model of painter Edgar Degas—has died. Two dancers dead in two weeks. Two artists grieving. Is the killer targeting young dancers, or, does this case involve the enigmatic Paris art world?
From the moment Steven and Olivia arrive, Steven is out of his element. The small-town cop has no idea what techniques the French police use in 1895. Worse, he has no official status to investigate murder in one of the world’s largest cities. The sleuths soon discover disturbing secrets at the Paris Ballet. And when Olivia insists on going undercover to visit a suspect’s house alone, Steven fears he’s made the biggest mistake of his life.
Travel back in time with Steven and Olivia, as they enter the back-stabbing world of dance in one of the world’s greatest cities. Murder at the Moulin Rouge is their most daring and dangerous case to date.
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Chapter One
December 25, 1934
Knightsbridge, New York
“I need you to come to Paris.”
“You need what?” he asked.
Detective Steven Blackwell stared at the younger version of his mother standing in the room that had been her studio. Jaw dropped, eyes like saucers. He could barely speak.
“I need you—and your friend Olivia, if you like—to come to Paris. There’s been a murder and the police aren’t doing anything,” said Evangéline. “I thought I heard a voice a minute ago. Was that Olivia? Why don't you get her? She’s probably wondering what’s going on.”
In a daze, and feeling like he had no control over his actions, Steven turned away from the vision of his mother and stumbled out into the hallway. He saw Olivia still waiting in the doorway at the end of the hall. Her hand flew to her chest, and she heaved a great sigh. “Oh, my God, you’re okay! What’s going on? I thought I heard voices. Is somebody here?” As he came closer, she noticed the look on his face. “What’s wrong? You look funny.”
“It’s my mother. My mother’s here.”
“What?”
“She looks as real as you do, but she’s young, around our age. She said she needs me to go to Paris. And you should come too.”
“What?” For one terrifying moment, Olivia wondered if a year of grieving had unhinged Steven’s mind. How could his mother be here? Evangéline Neuilly Blackwell died last January.
Steven repeated Evangéline’s instructions. “She said I should come get you.” He held out his hand. Olivia took it and stepped over the threshold into 1934.
They moved slowly down the hall then paused at the doorway to look at each other. Steven squeezed her hand. Olivia nodded. They both took a deep breath then entered Evangéline’s studio.
There in the shadowy room stood a beautiful woman, shoulder-length copper hair shining in the lamplight. She was slender, taller than average, and wore a stunning emerald dress, the kind French women wore to perfection. A wool coat with a fur collar had been thrown over the back of a chair. She held out her hand toward Olivia.
“Hello. I’m Evangéline Neuilly. I’m so happy to meet you.”
Olivia had always wanted to meet Steven’s exotic-sounding mother—a famous French artist—but that possibility had died along with Evangéline. Or so she had thought. Olivia told herself to close her mouth, which had fallen open, and shook the woman’s hand. “Olivia Watson.”
Evangéline looked at Steven. “I can tell you’re surprised to see me. I must not have told you about my ability to time travel. Surely, you wondered why you can? And if your father or I also had that ability?”
“Eh, no. Not really.”
Evangéline rolled her eyes and gave Olivia a look that said, Men, huh?
Olivia couldn’t help grinning.
“Well,” Evangéline opened her arms wide, “here’s the answer to your unasked question. You got it from me.”
Olivia recovered first. “So, Evangéline, you traveled here from...when?”
“1895. And I really need your help. Both of you.” She shook her head and waved her hand back and forth. “I know. I know. You have a lot of questions. Let’s go downstairs and have something to drink. I’ll tell you what has happened.”
They trouped down the stairs and into the living room.
“I know I must have lived in this house for some time and I assume I decorated this room....” Evangéline turned to Steven for confirmation.
“Yes, we lived here about twenty years or so before you....” He swallowed hard.
“Before I died,” she whispered, then patted his hand. “Pauvre chouchou. Poor sweetheart. I’m so sorry. But, don’t tell me. I don’t want to know when. Of course, I have an idea. But not the exact date.” She opened a door in the sideboard. “Bon! A bottle of red.” She handed the wine to Steven.
Still dazed, he opened it and poured a glass for each of them. Evangéline curled up in a leather chair. Steven and Olivia sat facing her on the couch.
His mother took a sip and pursed her lips. “Not bad. So, listen, we must act fast. A young girl has been killed but the police do nothing. They say it was an accident. We know it was not. I want you to find out who killed Madeleine Gervaise.”
His cop’s instincts kicked in, and Steven found himself intrigued. Who was Madeleine Gervaise? How did she die? Why do the police think it was an accident? And what was her connection to Evangéline?
Suddenly, Steven remembered something Sherlock Holmes once said: “When you have eliminated the impossible, whatever remains, however improbable, must be the truth.” And with that assurance, he snapped out of his stupor and accepted his mother’s bewildering appearance. He leaned forward.
“All right, let’s say, for the sake of argument, that I can and will go to Paris. Answer these questions.” He ticked them off his fingers. “Why do the police think it was an accident? How do you know it wasn’t? When did this happen?”
Evangéline placed her feet on the floor and mirrored him, ticking her answers off her fingers. Olivia almost laughed at the two of them. Talk about a chip off the old block, as her grandfather used to say. “She fell on one of the tall staircases in Montmartre. The police say she slipped on the ice. My friend Henri knows the human body and how it works. He says the...how do you say ‘marks of black and blue’?”
“Bruises,” Olivia chimed in. “We also say black-and-blue marks.”
“Ah! Bon. Henri says the bruises prove someone pushed her. It happened late Sunday night, early Monday morning. Today is already Wednesday. That is why we must move fast.”
Steven groaned, thinking of the days lost. “Is Henri a doctor?”
“No, an artist. But, believe me, Steven, he knows the body. If Henri says she was pushed, she was pushed.”
“So, again, if we were to do this, how would it work?”
“We must go with all speed. That means we must travel in Olivia’s time in one of those fast aeroplanes. That’s how I got here so quickly.”
“Wait, how do you know about Olivia?”
“Oh, mon Dieu, the questions! It is a long story but if it will help speed this up...last summer, I traveled to 1934, to America, with someone on business that had nothing to do with you or my future. When I was in New York City, I saw a photograph in a newspaper of the painting I’m working on right now. The article said a museum in Chicago had bought it and gave information about me, you, and your father. While my friend was completing his business, I had a couple of days to myself, so I took a train here and came to this house. Naturally, I was curious, so I came in and looked around. You really shouldn’t leave your doors unlocked, you know. Anyway, I saw the photograph of Olivia on your dresser. You have her name and the year 2014 written on the back. I realized you had inherited my ability to time travel and that Olivia also had the gift.” Evangéline blew out her cheeks. “Can we not return to the problem at hand now?”
Steven grinned. “Yeah, okay. You know, I always thought you learned English when you moved here with Dad. You speak really well.”
She rolled her eyes. “As you must know, my father is a professor of English at the Sorbonne. He taught me when I was a child.” She took a drink of her wine. “Now, to our problème...I went through the portal in Paris, from 1895 to Olivia’s time.”
“Why did you go into Olivia’s time?”
“If you keep interrupting me, we will never get anywhere. Just listen.” Evangéline took another drink of wine and went on. “Time is of the essence, as it’s already been almost three days. We must travel into 2014 and go to New York City as quickly as possible. Someone there will help us with what we need. Tomorrow night, we’ll fly to Paris. Once we’re there, we’ll travel back to 1895.”
“You make it sound easy. But I have so many questions,” Steven persisted. “How are we going to pay for all this? How do I get a passport fast enough to fly tomorrow? What about other things we might need?”
His mother tilted her head toward the ceiling and sighed. “You think I have come all this way without a plan? Before I left, Henri gave me a sketch. There’s a man in New York City—you will soon learn we have travel agents in cities all over the world who help us. This man in New York City, a place called Brooklyn, is selling the sketch for me, so we’ll have plenty of money. He’ll make a passport and other documents for you, Steven, just as someone in Paris made mine so I could come here.” Evangéline turned to Olivia. “Do you have a passport? Do you drive an automobile?”
“Yes. And I have a car.”
“Can you take us to New York City tomorrow morning so we can get Steven’s documents and the money to buy our tickets for the aeroplane? We must leave for Paris tomorrow night.”
“Sure. Listen, Evangéline, I’m sorry to hear about your friend Madeleine.”
“Thank you. She was lovely—a dancer and one of Henri’s favorite models. Such a waste.”
“Who is Henri? And why would anybody buy one of his sketches?”
“Henri de Toulouse-Lautrec. I think he is well known in your time, Olivia.”
“Toulouse-Lautrec?” Olivia gasped. “He’s a friend of yours?”
“Yes, and he’s now your employer.”
Olivia’s jaw dropped.
Evangéline reached out toward Steven with her empty wineglass then settled back in the chair after he’d refilled it. “Now, let us talk about tomorrow. You must both pack a small bag. Steven, bring any tools or objects you will need to investigate. I don’t know what they might be, but that is most important. When we travel to my Paris in 1895, you can borrow clothes belonging to my friend Théo. He’s away on business right now. His wardrobe is filled with additional items—suits, shirts, collars, and so forth. There’s a cloak and hat as well. Olivia, we’re about the same size. I’m happy to share my clothes with you. I have plenty of skirts and dresses. I have an extra cloak, too. Just bring your personal things.”
Suddenly, Steven realized he had been given a gift. After a long, difficult year of grieving, he had the chance to spend time with the woman who would become his mother. How could he possibly say no?
“I’m sorry, but I have to interrupt again,” Steven said, grinning at Evangéline. “Before it gets too late, I need to call the chief to tell him a family emergency has come up and I need a few days off.” He stood and headed for the phone, then stopped. He turned around and walked back to Evangéline. “I know this is going to be weird for you. You don’t even know me yet. But I have missed you so much!” And he bent down and kissed his mother’s cheek.
Personal
Tell us a little about yourself beyond your writing.
I taught high school French and Spanish for thirty-four years and loved every minute of it. But I always knew I would retire at 55 and do something else. After five years, I wanted a mental challenge and decided it was time to write that novel that had been waiting patiently in the back of my mind.
What was one of your favorite books as a child?
I loved The Wonderful Flight to the Mushroom Planet by Eleanor Cameron. David and Chuck see an ad in a newspaper asking for two boys to build a rocket. They build one in their backyard and take it to the mysterious advertiser, who fits it up to fly to the mushroom planet. They have an amazing adventure. I loved the idea that kids could go on an exciting adventure completely different from real life.
When did you realize writing could become more than a dream?
After my second book. It took me five years to write the first book because I didn't really know what I was doing at the beginning. After a while I learned the craft. I took workshops, went to conferences, and talked to other writers to find out the keys to writing a good mystery. I was over the moon when Doorway to Murder was published. But, I had decided to write a series of seven books. I had no idea if I was going to be a one-hit wonder. All the time while I was writing Threshold of Deceit, I kept thinking one more paragraph,one more page, one more chapter, and eventually I'll have a second book. We'll see if I can do it twice. After the book was successful, I knew I was on my way.
Writing
Why did you choose the genre you write in?
There was no other choice for me! I’ve have loved mysteries since I read the Nancy Drew books. Then I switched to Agatha Christie and never looked back. I like the organization and structure of police procedurals, which is what I write. I love creating the characters and tying up everything at the end, making the world right again.
Do you outline (plan) or discover the story as you go (pantser)?
In the beginning, I wrote detailed outlines, but I found that when I got part of the way through, I abandoned my outline and simply wrote. In 2022, when I was supposed to start writing Death Rang the Bell, I had a knee replacement and was unable to sit at the computer for four months. Losing that time meant I didn't have the luxury of writing an outline. I’d been thinking about the book for a year, so I just sat down and wrote it. I found that I like that way much better. It gives me more freedom. It's a lot more fun. What I do now is think about the book for a year, creating the characters, the plot, and the twists and turns. When I have it set in my mind, I sit down to write... knowing there’ll be lots of fun surprises and unexpected paths to explore along the way.
What part of your book was the most fun to write?
The most fun writing Murder at the Moulin Rouge was the beginning because I had to figure out how to get my detective Steven, who lives in 1934, and his partner-in-crime Olivia, who lives in 2014, to Paris in 1895. Steven's mother was a famous French artist. She travels forward in time to 1934 to enlist Steven and Olivia to return with her to solve a crime the police are ignoring. I had a lot of fun working out the details of planning such a trip. It was a good exercise in imagination.
Which of your characters “speaks” the loudest to you?
My main character, Detective Steven Blackwell. I “saw” him in a strange vision when I was in my twenties. If you're ever at an event where I'm speaking,you’ll hear the story. When I knew who my main character was going to be, I decided to give him attributes of two significant men in my life—my grandfather and my dad. My grandfather was born in 1900, Steven in 1901. They would have been contemporaries. I gave Steven my grandfather's love of baseball and cars. Each time I write a scene where those things are present, I think of my grandfather. I gave a lot of my father's personality to Steven—a moral code, playing by the rules, being down-to-earth, but someone fun and loved by everyone he met.
If your book became a film, who would you cast in the lead role?
Aaron Staton to play Steven and Blake Lively as Olivia
What’s the best compliment you’ve received from a reader?
I was invited to speak at a book club about Doorway to Murder. The room was full. Everyone had read the book. After my talk, I asked if there were any questions. A woman raised her hand and said, “I don't have a question but I would like you to know I've read a lot of time-travel books and this is the first one that I believed could actually happen.” Several people jumped in and agreed that my story could be real. That made me feel great!
What advice would you give aspiring writers?
You’re going to need people who write in your genre so it's important to find a group of writers. I joined Sisters in Crime. That's the reason I'm published. It's extraordinarily difficult to get published. If you go the normal route of querying agents and editors, it can take years. You send an email and may not receive an answer for 9 to 12 months. You may never get an answer. That's assuming your manuscript is up to standards. How do you know when it's up to the industry standard? You need fellow writers to guide you. You need to go to workshops and take classes and learn your craft. You need to learn how to accept criticism and realize that every word you write is not so valuable it can’t be deleted. There will be lots of deleting, editing, and changing. But there's no such thing as a failed writer, only people who quit. I wish you great good luck!!
A former language teacher and business owner, Carol Pouliot writes the acclaimed Blackwell and Watson Time-Travel Mysteries, traditional police procedurals with a seemingly impossible relationship between a Depression-era cop and a 21st-century journalist. With their fast pace and unexpected twists and turns, the books have earned praise from readers and mystery authors. Carol is a founding member of Sleuths and Sidekicks, 4 mystery writers who have banded together to share their love of mysteries, immediate Past President and Program Chair of her Sisters in Crime chapter, and Co-Chair of Murderous March, an online mystery conference. When not writing, Carol can be found packing her suitcase and reaching for her passport for her next travel adventure.
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Tour hosted by: Partners in Crime Tours
Oh what a great interview! Thanks so much for sharing. :-)
Thanks for the FUN interview!! And for hosting me today.